Supernova
a review by Chris McCaleb
This film was worse than Godzilla.
I thought I would never utter that
sentence. But it's true. It's almost worth going to see it just to learn what
aberration could possibly have earned that declaration. If you are one of those
people that find yourself tuning into real-life tragedy on television, or who
slow down to get a good look at a car accident, then maybe this film is for
you. Because this film is a vast road accident, a horrible, terrible thing that
didn't have to happen.
Is it fair to say this is worse
than Godzilla, though? I mean, Supernova didn't hype the hell out of
itself for almost a year in advance like Godzilla. Subtracting the hype,
which I think is always the fair thing to do, and simply weighing the films on
their own merits, then YES, it is FAR worse.
I generally find that when people
say something has a "bad" story, that it could mean any of hundreds
of things. It usually means that the person talking didn't take the time to
think about the story very much. Or that there wasn't as much action as they
would have liked; some people equate "story" with "physical
action." Sometimes what they really mean is that the story did not have a
happy ending, which they believe is required of every film. Or perhaps the
story just didn’t appeal to them personally, although it appeared to be
well-crafted. I often feel this way about movies with Helena Bodice Carter.
But Supernova is a film
that honestly has a bad story, and worse, a bad story that is poorly
told. It is bad in the sense that, as a story, it is utterly dysfunctional.
Plot elements are introduced then abandoned. Plot elements are based on ideas
that really aren't that well thought-out to begin with. Characters make
decisions for no discernable reason. Good actors are wasted. Good actors show
that without proper direction, sometimes they slip into old habits.
I have never been to a film where
the story was so poorly told that I honestly wondered if portions of the
negative were missing - lost, say, in a studio fire, or destroyed by an insane
director's hand. But this is that film.
The director* made the DISASTROUS
decision to use a shaky, hand-held camera, which let's all agree for the
record, DOES NOT WORK IN A SCI-FI FILM WHEN VISUALS ARE KEY. It made a
situation which could not have been worse, worse. There's really nothing more
to say.
Well, one thing: I was slightly
interested in the naked Robin Tunney segments**, but that was not enough to
salvage the film. I'm afraid I have to ask you to Encourage
others to not see this film.
*Whoever that was. The name
"Thomas Lee" can apparently refer to Walter Hill or even Francis
Coppola, depending on who you're talking to.
** Of which there are many - but
don't get your hopes up, it's more USA naked than it is HBO naked.
LET ME SAY THIS ABOUT THAT - HOME
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Absurd Pamphlet Press